Transient

LUCERO HAD MET COLIN RICHEY, DRUMMER FROM HEY MARSEILLES AFTER THEIR TRIUMPHANT BUMBERSHOOT DEBUT AND CONNECTED THE DOTS BRINGING IN SAM ANDERSON (HEY MARSEILLES, ARKOMO) AS THE PRODUCER.  THEY SPENT QUITE A FEW MONTHS RECORDING SONGS AND ENDED UP FINISHING "THE CRUELEST SEASON," A POWERFUL BALLAD AND BUILT THE FOUNDATION FOR A NUMBER OF MICHAEL KROLL'S OTHER ORIGINALS.

 

UNFORTUNATELY, THE SONGS WERE NEVER RELEASED.  HOWEVER, LUCERO HAD BEEN BITTEN BY THE RECORDING BUG AND CO-PRODUCED AND CO-WROTE A SONG WITH PHIL PETERSON (TENNIS PRO), CALLED THE "GOLDEN RULE."  PHIL  EVEN MANAGED TO ENLIST HOWARD LEESE FROM HEART TO DO A GUITAR SOLO.

WHEN LUCERO TOOK A FEW MONTHS OF BETWEEN DAY JOBS (LEAVING THE XBOX TEAM AND JOINING RATIO, A DIGITAL APP DEVELOPMENT COMPANY), HE DECIDED TO BUILD ON THE FOUNDATIONAL RECORDINGS AND RECORD AN ALBUM OF SONGS THAT HE LOVED, AND OTHERS' ORIGINALS.  

LUCERO HAD AMASSED A HIGHLY TALENTED NETWORK OF FRIENDS AND COLLABORATORS AND BROUGHT THEM INTO HIS PROJECT WHICH HE DUBBED FRIENDS OF MIKE COLLECTIVE.

ONE OF THE MOST REWARDING AND ARTISTICALLY IMPACTFUL SONGS ON THE PROJECT WAS A SONG LUCERO CO-WROTE WITH KEN STRINGFELLOW (THE POSIES).  INSPIRED BY BENJAMIN BRITTON'S WAR REQUIEM, THE SONG IS CALLED THE ONE (THAT MATTERS), AND IT ASKS TOUGH QUESTIONS ABOUT WAR AND WHETHER THE SACRIFICES WE MAKE ARE WORTH THE PRICE WE PAY.

THESE ORIGINALS ARE COMBINED WITHIN RADICALLY RE-INTERPRETED COVERS LIKE WALTZ #2 THAT IS ACTUALLY NOT A WALTZ, A TOM WAITS-LIKE STRIPPED DOWN VERSION OF KARMA POLICE, AND A FUNKED OUT VERSION OF ELEANOR RIGBY.

MIKE AND THE ENTIRE COLLECTIVE HOPE THAT AUDIENCES OF ALL TYPES WILL APPRECIATE THE ALBUM WHEN IT RELEASES LATER THIS YEAR IN SEPTEMBER.